The Color of Light
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An emotionally moving novel of a woman in search of a new beginning and a man haunted by the past—from the New York Times bestselling author of the Tradd Street novels. At thirty-two, Jillian Parrish finally finds the courage to put herself in the driver’s seat of her life. Pregnant and recently divorced, she and her seven-year-old daughter find refuge and solace on Pawleys Island, South Carolina—Jillian’s only source of happy childhood memories. Summers spent at her grandmother’s beach house had been Jillian’s sanctuary from indifferent parents—until her best friend Lauren Mills disappeared, never to be found. Linc Rising, Lauren’s boyfriend and Jillian’s confidant, had been a suspect in Lauren’s disappearance. Jillian had never doubted his innocence—but because her parents had whisked her back home to Atlanta, she never got a chance to tell him. Now, a resentful Linc is back on Pawleys Island—renovating the old Mills house. And as ghosts of the past are resurrected, and as Jillian’s daughter begins having eerie conversations with an imaginary friend named Lauren, Jillian and Linc will uncover the truth about Lauren’s disappearance and about the feelings they have buried for sixteen years...
From New York Times best-selling author of the Dinotopia series, James Gurney, comes a carefully crafted and researched study on color and light in paintings. This art instruction book will accompany the acclaimed Imaginative Realism: How to Paint What Doesnâ€™t Exist. James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist. This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction. "James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist
Color & Light is an essential practical guide to how color works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see color, how to construct effective lighting palettes, and how to make use of both color filters and color-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories. We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Today's LED-based additive color-mixing fixtures require new methodologies and new ways of thinking, and Color & Light directly addresses this technology's potentials and challenges. But underpinning lighting's many recent technological changes is the fundamental language of color that artists have worked with since the birth of humanity's artistic urges.
We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and a host of other spectacles. Separating myth from reality, it outlines the basic principles involved, and supports them with many figures and references. A wealth of rare and spectacular photographs, many in full color, illustrate the phenomena throughout. In this new edition of the highly-acclaimed guide to seeing, photographing and understanding nature's optical delights, the authors have added over 50 new images and provided new material on experiments you can try yourself.
"Human beings feel a universal attraction to light. It is the source of life-giving energy . . . and where there is light there is color." "Color is light made visible," says Donald Kaufman," and the atmosphere of the air we breathe and the quality of the light passing through it affect how we see color." A wall painted terra cotta in Santa Fe will look very different than a wall painted terra cotta in New York. By understanding the nature of the light and atmosphere in the place where you live, paint palettes for rooms can be selected that will enhance the light and create luminous effects. In these inspiring pages filled with breathtaking rooms, Kaufman and Dahl have visited homes in different regions of the country and explored the particularities of the light and air in each to show how colors were chosen to enhance the available light. Whether it be the veiled light of the South and Northwest, the dry air and harsh light of the desert, the misted light of northern cities, the incandescent light over water, the clear light of the mountains, or the glaring light reflected from snow, each has its own way of interacting with color indoors. The reader also learns that, just as colors change with the region, they vary with the seasons and times of day. Molecules of air, water vapor, ice crystals, nearby buildings, or the tree branches and leaves we see outside our rooms all interact with painted interiors. We come to understand that the colors on our walls need not be fixed but can reflect the subtle changes that happen outdoors. In Kaufman and Dahl's "Color: Natural Palettes for Painted Rooms, the authors transformed forever the way we see colors in nature and in the painton our walls. In Color and Light, they take us one step further to help us understand the role of the kinds of light we live with and how we can bring the sun's warmth and luminosity inside.
"The deeper the darkness, the brighter the light " For more than a decade minister Analiese Wagner has felt privileged to lead her parishioners along a well-lit path. Her commitment has never been seriously tested until the frigid night she encounters a homeless family huddling in the churchyard. Offering them shelter in a vacant parish house apartment and taking teenage Shiloh Fowler--a girl desperate to rescue her parents--under her wing, she tests the loyalty and faith of her congregation. Isaiah Colburn, the Catholic priest who was her first mentor and the man she secretly longed for, understands her struggles only too well. At a crossroads, he's suddenly reappeared in her life, torn between his priesthood and his growing desire for a future with Analiese. Divided between love and vows they've taken, both must face the possibilities of living very different lives or continuing to serve their communities. With a defeated family's trust and her own happiness on the line, Analiese must define for herself where darkness ends and light begins.
A novel of art, passion, and vampires.At the American Academy of Classical Art, popular opinion has it that the school's handsome and mysterious founder, Raphael Sinclair, is a vampire. It is a rumor Rafe does nothing to dispel.Scholarship student Tessa Moss has long dreamed of the chance to study at Rafe's Academy. But she is floundering amidst the ups and downs of a relationship with egotistical art star Lucian Swain.Then, one of Tessa's sketches catches Rafe's attention: a drawing of a young woman in 1930s clothing who is covering the eyes of a child. The suitcase at her feet says Wizotsky. Sofia Wizotsky, the love of Rafe's life, was lost during the Holocaust. Or was she? Rafe suspects Tessa may be the key to discovering what really happened.As Rafe finds excuses to interact with Tessa, they quickly discover they cannot deny their growing attraction to one another. It is an attraction forbidden by the Academy Board and disapproved of by anyone familiar with Rafe's playboy reputation and Tessa's softhearted innocence. But what if fate has other plans for Tessa and Rafe? What if they break all rules to succumb to a passion that defies history?
All of science springs from the observation of nature. In this classic book, the late Professor Minnaert accompanies the reader on a tour of nature's light and color and reveals the myriad phenomena that may be observed outdoors with no more than a pair of eyes and an enquiring mind. From the intriguing shape of the dapples beneath a tree on a sunny day, via rainbows, mirages, and haloes, the colors of liquid, ice, and the sky, to the appearance of the sun, moon, planets, and stars - Minnaert describes and explains them all in a clear language accessible to laymen. This new English edition is supplemented by 80 plates, over half of them in color, taken by the acclaimed photographer Pekka Parviainen, illustrating many of the phenomena - ordinary and exotic - discussed in the book.
“Color is the language of light; it adorns the earth with beauty.” — John O'Donohue, Beauty Color explores how we can read this marvelous language of light, heightening our awareness of the deep sense of beauty around and within us, within each living being, nurturing our imagination. In five chapters, Color takes the reader through birth, darkness and light, our auras, chakras, and the rainbow, to the afterlife. It explores how artists use color, how we have “coded” colors for healing, alchemy, and various other aspects of our culture, and ultimately delves into the spirituality of color and mysticism. The book also has numerous illustrations in color and black and white.
Designed for a nonmathematical undergraduate optics course addressed to art majors, this four-part treatment discusses the nature and manipulation of light, vision, and color. Questions at the end of each chapter help test comprehension of material, which is almost completely presented in a nonmathematical manner. 170 black-and-white illustrations. 1983 edition.
A classic study of the profound effect of color in the places we inhabit, our homes, offices, factories, hospitals and schools. The author shares his findings and the practical applications toward healthier and more creative environments. This revised edition includes a chapter on the changing environment caused by the computer.
This is a guide for painters using watercolours, with advice on achieving the light and colour effects desired
A young writer obsessed by the past finds himself involved in an odyssey of violence, tragedy, and a search for a murderer
Jay Maisel, hailed as one of the most brilliant, gifted photographers of all time, is much more than that. He is a mentor, teacher, and trailblazer to many photographers, and a hero to those who feel Jay’s teaching has changed the way they see and create their own photography. He is a living legend whose work is studied around the world, and whose teaching style and presentation garner standing ovations and critical acclaim every time he takes the stage. Now, for the first time ever, Jay puts his amazing insights and learning moments from a lifetime behind the lens into a book that communicates the three most important aspects of street photography: light, gesture, and color. Each page unveils something new and challenges you to rethink everything you know about the bigger picture of photography. This isn’t a book about f-stops or ISOs. It’s about seeing. It’s about being surrounded by the ordinary and learning how to find the extraordinary. It’s about training your mind, and your eyes, to see and capture the world in a way that delights, engages, and captivates your viewers, and there is nobody that communicates this, visually or through the written word, like Jay Maisel. Light, Gesture & Color is the seminal work of one of the true photographic geniuses of our time, and it can be your key to opening another level of understanding, appreciation, wonder, and creativity as you learn to express yourself, and your view of the world, through your camera. If you’re ready to break through the barriers that have held your photography back and that have kept you from making the types of images you’ve always dreamed of, and you’re ready to learn what photography is really about, you’re holding the key in your hands at this very moment.
A simple, complete guide to stained glass in a church building for architects, building and renewal committees, pastors, liturgical designers, consultants, and anyone who appreciates the beauty of stained glass.
The great Dutch artist Vincent van Gogh comes to life in a new light on the pages of this splendid volume. Through eloquent poetic meditations on Van Gogh's late paintings, Marilyn Chandler McEntyre shows how these artworks testify to divine presence, and she invites readers to find their way through form, color, and light into a new awareness of the Spirit. Some of McEntyre's poems remind us of the sorrows in the life of this solitary artist and of his infinite longing. Some convey Van Gogh's epiphanies of joy and energy, expressing themselves in color. McEntyre sees the paintings as inviting us to see things in a different light, and her poetry is an act of consent to that invitation, providing an intimate encounter with these great works. Evocatively pairing art and poetry on two-page spreads, The Color of Light is McEntyre's third in a trilogy of poetry books on Dutch master painters, each of which invites us to reflect not only on the artist's life and faith but also on our own.
This beautifully illustrated book examines the artistic career of the French painter and draftsman Henri-Edmond Cross who was a key figure in the development of European modernism. Inspired by the work of Realist painters such as Gustave Courbet and François Bonvin, Henri-Edmond Cross's earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move to the Mediterranean coast in 1891, Cross's palette became increasingly lighter, resulting in dazzlingly colorful landscapes, genre paintings, and compositions that are overlaid with mythological and allegorical allusions. This volume traces Cross's artistic trajectory through all stages of his prolific career and situates his masterful approach to color and light within the broader context of the European avant-garde of his time. In addition, it examines the painter's anarchist sympathies and the political dimensions of his depictions of utopian sceneries.