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Supernatural premiered on September 13, 2005, on what was then called the WB Network. Creator Eric Kripke was inspired by Jack Kerouac'sOn The Road, putting his heroes, brothers Sam and Dean Winchester, in a big black '67 Impala and sending them in search of the urban legends that fascinated him. The series attracted a passionate fan base from the start and was described as a “cultural attractor” that tapped into the zeitgeist of the moment, reflecting global fears of terrorism with its themes of fighting unseen evil. The chemistry between the lead actors, Jared Padalecki and Jensen Ackles, contributed to the show's initial success, andSupernatural found its niche when it combined demon-hunting adventures with a powerful relationship drama that explored the intense, complicated bond between the brothers.Supernatural is as much a story of familial ties, love, and loyalty as it is of “saving people, hunting things.” Fan Phenomena: Supernatural explores the ongoing fascination and passion for a show that developed a relationship with fans through eight seasons and continues to have an impact on fan culture to the present day. Essays here explore the rich dynamic that has developed between fans and producers, actors, writers, directors, the show creator, and showrunners through online interactions on Twitter and Facebook, face-to-face exchanges at conventions, and representations of fandom within the show's meta-episodes. Contributors also explore gender and sexuality in the show and in fan art; the visual dynamics, cinematography, and symbolism in the episodes as well as the fan videos they inspire; and the culture of influence, learning, and teaching in the series.
|Author||: Nicola Bown,King Edward VII Professor and President of Clare Hall Gillian Beer,Carolyn Burdett,Gillian Beer,Pamela Thurschwell|
|Publsiher||: Cambridge University Press|
|Total Pages||: 305|
|ISBN 10||: 9780521810159|
|ISBN 13||: 0521810159|
|Language||: EN, FR, DE, ES & NL|
Essays by literary scholars, art historians and science historians explore the diversity of the Victorians' fascination with the supernatural.
Provides an introduction to the first season of the popular television series, giving an episode-by-episode summary, memorable quotes from each episode, behind-the-scenes details, and interviews with the cast.
While the numinous and heavily psychological aspects of the Gothic have received serious attention, studies do not tend to examine the relation of the Gothic supernatural to the very different backgrounds of 18th-century and Victorian belief. This study examines the rise of the form, the artistic difficulties experienced by its early practitioners, and the transformation of the original problem-ridden Gothic works into the successful Victorian tales of unearthly terror. In doing so, this study makes a distinct contribution to our grasp of the Gothic and of the links between literature and religion.
When a Civil War reenactment becomes all too real, Sam and Dean Winchester head down South to investigate and discover that history is running dangerously amok. Original.
"Supernatural childbirth is a practical and realistic look at God's promises for conception, pregnancy and delivery. This is not “pie-in-the-sky” – this is a personal testimony of how one couple overcame defeat and triumphed in God's plan."
"After centuries of denigration, Shakespeare's romances, in the 1950s, 1960s, and 1970s, came to be seen by many critics as among Shakespeare's most profound works - as extensions of his tragic vision, as experiments in dramatic form, as deeply significant statements about art, about nature, about life. Marco Mincoff's Things Supernatural and Causeless - a work published in Sofia, Bulgaria, in 1987, just before his death, but clearly written in the mid-1970s - sets out to show why this evaluation of the romances is wrong and to propose another way of looking at and evaluating Pericles and the plays that followed it." "For Mincoff, romance is "an inherently inferior genre" that, no matter what dramatic skills Shakespeare lavished on it, could never yield great drama. He argues that none of the romances has a profound message: whatever meaning one finds in Pericles, for instance, can be found just as readily in Apollonius of Tyre. Thus to look to these plays for greatness or for profound themes or ideas is to be inevitably disappointed or self-deluded." "What one does find in the romances, though, are plays that diverge sharply from their sources and analogues, and from other drama of the period, in the attention given to the creation of a sense of wonder. Mincoff finds, in the systematic control of language, crafting of scenes, and altering of sources in the plays, the suggestion of supernatural influence upon the play's action that exploits the "wonderful" inherent in Heliodorian romance. Mincoff suspects that "this sense of wonder really was important to Shakespeare," and finds Lafew's words (in All's Well That Ends Well) both a rather bitter commentary on Jacobean society and a clue to our better understanding of the romances:" ""They say miracles are past, and we have our philosophical persons to make modern and familiar, things supernatural and causeless. Hence it is that we make trifles of terrors, ensconcing ourselves into seeming knowledge, when we should submit ourselves to an unknown fear."" "Mincoff can spot that which is truly unusual in the romances because of his extensive knowledge of the other drama and other literature of the period and because of his ability to place the plays within the context of their own time. He places the above quotation, for example, within contemporary responses to skepticism; he discusses such dramaturgical devices as Presenters and expository supernumeraries in the context of other plays that Shakespeare's audiences would have been seeing; he is alert to the differences between our present-day understanding of life and language and that of Shakespeare's age, showing how words like art and nature are today understood in postromantic terms that make them far different words, representing far different concepts, from those used by Shakespeare in his romances."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The author introduces readers to supernatural thinking so they can focus on what is supernaturally possible with God.
A study of the treatment of the miraculous in the New Testament, focusing not on the literal truth or otherwise of the events depicted, but on what they mean and what they tell us about God.
Filled with powerful and intimate scriptural prayers, this little book gives readers a way to come before God in faith with childbearing issues, from having a difficult time getting pregnant to joyfully cradling a baby in their arms.
Peter Forrest expounds a program of best-explanation apologetics. He contends that since the existence of God would provide the best possible explanation of various facts, those facts support theism. Among the facts cited are the suitability of the universe for life, the regularity of the universe, the human capacity for intellectual progress, the experience of a moral order, and various forms of beauty. The beauty that interests Forrest as evidence for the existence of God includes sensuous beauty; the beauty of the natural order, as revealed by the sciences; and the beauty of necessity discovered by mathematicians. In addressing the need for an adequate motive for creation, Forrest conjectures that God created the universe for embodied persons not for their life on earth alone but also for an afterlife. Forrest acknowledges the speculative nature of such an account. He suggests that philosophical speculation is also required to defend theism against the charge that it is too extravagant a hypothesis to be warranted. Providing a speculative defense against the argument from evil, he explains how such speculations can be used to support best-explanation arguments without the conclusions themselves being rendered purely speculative.
Cindy Jacobs begins her newest release with a testimony of her first stirring encounter with the Holy Spirit. Her relationship with God was transformed, giving her the power of the supernatural in her life and the knowledge of how to release it. As in Acts 1:8, the Scriptures came alive to her more than ever before and she found the capacity to witness boldly. With warmth, humor and many revealing accounts, Cindy Jacobs shows that it takes the power of the Holy Spirit to do what God wants you to accomplish in your life. Join the best- selling author of "Women of Destiny" and discover step-by-step how to invite the Holy Spirit into your own life for remarkable change.
A storm is brewing... Who is ready for the coming showdown?Shifting Shadows of Supernatural Power charts the storm brewing between the power of God and schemes of the enemy; and encourages believers to step out of the shadows and into the Light.A history of the prophetic movement in the United States combined with interviews of many well-known prophetic voices such as Jill Austin, Heidi and Roland Baker, Todd Bentley, Stacey Campbell, Randy Clark, Graham Cooke, James Goll, Bill Hamon, John Paul Jackson, Rick Joyner, and Patricia King serve as a compass to navigate the storm and change.
The themes of magic and the supernatural in medieval romance are here fully explored and put into the context of thinking at the time in this first full study of the subject.
While on the hunt for Lucifer, Sam and Dean Winchester meet an angel named Don who sends them on a mission to uncover the secret Satan never wanted them to find out. Original. TV tie-in.
Prof Sam Baidoo is the founder and general overseer of Continental Family churches-a prophetic-oriented mission for the nations. He travels around the globe imparting the supernatural in a unique prophetic exposition of the Holy Bible, unction for prophetic utterance and worship; he has an extra-ordinary divine grace to admonish leaders of nations, encouraging in what the Lord expects from them to bless their respective nations and warning them of impending national calamities. His unique prophetic sight of the cosmic world-giving revelations on planetary movements that results in major global events and changes makes his ministry a blessing.
In the tradition of the loveable but flawed heroines from Louise Rennison's Georgia Nicholson Books, Kathleen O'Dell's Agnes Parker novels, and Lois Lowry's Anastasia Krupnik books comes Elizabeth Cody Kimmel's Kat Roberts. All Kat wants is to be normal, or at least to look that way to students at her new school. But her mother is a medium, and not the kind that fits in between small and large; Kat's mom is the kind of medium who sees spirits and communicates with them. And, even worse, Kat has just discovered that she can see spirits too. In fact, she seems to be the only one capable of helping a spirit at her school cross over successfully. The question is can she do it without needing to switch schools herself? In this the first of three SUDDENLY SUPERNATURAL books, Elizabeth Cody Kimmel brings humor, heart, and a little supernatural charm to the trials and tribulations of finding out who you are and who you want to be--all while surviving the seventh grade.
Over 14 seasons, television’s Supernatural has developed a devoted following of both fans and scholars. The show has addressed big issues, including perhaps the biggest—death. This collection of new essays examines how death is represented and personified in the series, and how grief is processed in American society. Contributors discuss the show’s explorations of the ultimate mystery, with topics covering American traditions and attitudes, folklore and mythology, resurrection, and grief and grieving.