Trans Figured

After the death of James Dean in 1955, the figure of the teen rebel permeated the globe, and its presence is still felt in the twenty-first century. Rebel iconography—which does not have to resemble James Dean himself, but merely incorporates his disaffected attitude—has become an advertising mainstay used to sell an array of merchandise and messages. Despite being overused in advertisements, it still has the power to surprise when used by authors and filmmakers in innovative and provocative ways. The rebel figure has mass appeal precisely because of its ambiguities; it can mean anything to anyone. The global appropriation of rebel iconography has invested it with fresh meanings. Author Claudia Springer succeeds here in analyzing both ends of the spectrum—the rebel icon as a tool in upholding capitalism's cycle of consumption, and as a challenge to that cycle and its accompanying beliefs. In this groundbreaking study of rebel iconography in international popular culture, Springer studies a variety of texts from the United States and abroad that use this imagery in contrasting and thought-provoking ways. Using a cultural studies approach, she analyzes films, fiction, poems, Web sites, and advertisements to determine the extent to which the icon's adaptations have been effective as a response to the actual social problems affecting contemporary adolescents around the world.

In this richly comparative analysis of late Muscovite and early Imperial court culture, Ernest A. Zitser provides a corrective to the secular bias of the scholarly literature about the reforms of Peter the Great. Zitser demonstrates that the tsar's supposedly "secularizing" reforms rested on a fundamentally religious conception of his personal political mission. In particular, Zitser shows that the carnivalesque (and often obscene) activities of the so-called Most Comical All-Drunken Council served as a type of Baroque political sacrament—a monarchical rite of power that elevated the tsar's person above normal men, guaranteed his prerogative over church affairs, and bound the participants into a community of believers in his God-given authority ("charisma"). The author suggests that by implicating Peter's "royal priesthood" in taboo-breaking, libertine ceremonies, the organizers of such "sacred parodies" inducted select members of the Russian political elite into a new system of distinctions between nobility and baseness, sacrality and profanity, tradition and modernity. Tracing the ways in which the tsar and his courtiers appropriated aspects of Muscovite and European traditions to suit their needs and aspirations, The Transfigured Kingdom offers one of the first discussions of the gendered nature of political power at the court of Russia's self-proclaimed "Father of the Fatherland" and reveals the role of symbolism, myth, and ritual in shaping political order in early modern Europe.

Uses Derrida to read the Gospels of Mark.

Exploring the intricacy and complexity of Walter Pater’s prose, Transfigured World challenges traditional approaches to Pater and shows precise ways in which the form of his prose expresses its content. Carolyn Williams asserts that Pater’s aestheticism and his historicism should be understood as dialectically interrelated critical strategies, inextricable from each other in practice. Williams discusses the explicit and embedded narratives that play a crucial role in Pater’s aesthetic criticism and examines the figures that compose these narratives, including rhetorical tropes, structures of argument such as genealogy, and historical or fictional personae.

Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 - 1993) and Open City (1987 - ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigrenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996."--Publisher.

Have you ever wondered what it would be like to be raptured, to serve in heaven during the millennial reign, and to be there for Satan’s final defeat? Well, I have. Transfigured to Serve explores the fictional life of a Christian man, Samuel Gideon. It provides a glimpse of his life before, during, and after the rapture. It shares his experiences and service in heaven. You are carried along with him as he prepares for the Lord’s return and millennial reign. You cascade out of heaven with Christ, Sam, and the saints and angels of God as they return to earth for Christ’s 1,000-year reign. You witness Sam’s service during the millennial reign and the lives of those that were left behind during the rapture. You see how their decedents progress. You experience the final release of Satan from his prison in the bottomless pit and his swift corruption of humanity--and then the final battle for earth. You will visualize the destruction of earth and the glory of the new heaven and new earth after the miraculous victory over Satan and his forces. You will experience the grandeur of the New Jerusalem, which becomes the final capital of the new earth, created by God--the glorious dwelling place of God, his saints, and his angels. This work of Christian fiction is based on prophesied events from scripture. I pray that you enjoy my book and glean a new perspective on the end times revealed in the Bible.

“The mythology of unicorns is cleverly interwoven with the modern elements. This, combined with a strikingly beautiful and simple style, leave the reader with the feeling of having experienced something magical. And the real magic lies in the mastery of Yolen's storytelling.”—SF Site Is what Richard saw in the woods really a unicorn? Beloved fantasy legend Jane Yolen (The Devil's Arithmetic; Sister Light, Sister Dark) offers an unexpected answer in this perfect jewel of a coming-of-age story. The Transfigured Hart bridges the wondrous in-between world where adults rediscover childhood wonder and children discover new favorite tales.

The moral theology of Hans G. Ulrich is presented here in English for the first time. These collected essays represent the culmination of a lifetime of reflection on Christian living from this German theologian in conversation with Luther, Bonhoeffer, and contemporary philosophers and theologians. Ulrich's ethics affirm the lively presence of the living work of God in orienting the daily life of Christians. This presence enables members of the Church to live as creatures trusting in God's promises, bearing witness in political and economic spheres, and trusting in life as a gift in response to bioethical issues. Ulrich's fresh take on living out of the promise of God yields further guidance on issues in international relations, economics, parenting, disability, and more.

Reveals the Hermetic underpinnings of modern scientific theories • Offers a full reconsideration of the history of science from Newton to the present day as well as a Platonic-Hermetic perspective on modern technology • Examines Hermetic resonances among the ideas of Gurdjieff, Robert Fludd, Marsilio Ficino, and cybernetics; Einstein and the Tibetan Bardo; Neoplatonism and artificial intelligence; and Rosicrucianism and the internet • Shows how Hermetic doctrine is at the heart of what modern physics is now rediscovering: that consciousness permeates everything Contemporary scientific disciplines such as chaos and complexity theory, artificial intelligence, and cognitive science treat themselves as new fields of inquiry, but many of these ideas can be traced back to Hermeticism, the European intellectual tradition sparked by the rediscovery of the Corpus Hermeticum and Platonic texts in the 15th century. Building a map of the progression of scientific thought across centuries and continents, Leon Marvell examines the ancient roots of Hermeticism, its rise during the Renaissance, and its suppression during the scientific revolution of the Enlightenment. He reveals how three main Hermetic ideas--the divine spark within each individual, the subtle body, and the anima mundi or world soul--have continually emerged at the cutting edge of science and philosophy throughout the ages because these ideas represent universal truths recognized by each era of human civilization. Marvell examines Hermetic resonances among the ideas of Gurdjieff, Robert Fludd, Marsilio Ficino, and cybernetic theory; Einstein and the Tibetan Bardo; and Neoplatonism and the work of AI scientist Christopher Langton. He reveals how the Rosicrucian description of the Invisible College also describes the instant availability of knowledge via the Internet, and he shows how Hermetic thought is at the heart of what modern physics is rediscovering: that consciousness permeates everything and the universe cannot be reduced to the random play of matter. Offering a full reconsideration of the history of science from Newton to the present day as well as a Platonic-Hermetic perspective on modern technology, Marvell reveals the pattern that connects the sciences, philosophy, and ancient knowledge and opens a potentially rich field of inquiry for 21st-century science.

This is a study of liturgy and its attendant rites as they profoundly influenced 17th-century English poetry. Examining various aspects of 17th-century liturgy against the works of major and minor poets, this book shows how fully and widely these materials were used in the poetry of Donne, Herbert, Milton, Vaughan, Wither, More, Sidney, Beaumont, Jonson, and Crashaw. The book explores the basic elements of liturgy and the techniques the poets used in handling them, beginning with adaptations and parodies of prayers.

Not until recently has gay American literature become a genre in its own right, nor has there been a full-length critical survey of it in its entire range - fiction, non-fiction, drama and poetry. Gaiety Transfigured makes distinguished contributions on both these fronts, helping to identify and define the corpus of gay writing in America and bringing to it its first theoretically-informed critical appreciation.