Enjoying an active but lonely rural life, 70-year-old Percy haplessly allows a progressive preschool to move into his barn and transform his quiet home into a lively, youthful community that compels him to reexamine the choices he made in the decades after his wife's death. Reprint.

A Widow's Tale and Other Stories These things were being turned over in her mind by Miss Bampton, while she sat looking out upon the lawn where everything looked so fresh and cool under the trees. She was busy with her usual knitting, but this did not in any way interfere with the acuteness of her senses, or the course of her thoughts. Though May and she were spoken of as if on the same level, as the Miss Bamptons, this lady was twenty years older than her sister, and had discharged for half of that time the functions of mother to that heedless little girl. May had made Julia old, indeed, when she had no right to be considered old. When the mother died she had been a handsome quiet young woman, thirty indeed, which is considered, though quite falsely, an unromantic age yet quite capable of being taken for twenty-eight, or even twenty-five, and with admirers and prospects of her own. After her mourning was over she had become Miss Bampton, the feminine head of the house, managing everything, receiving the few guests her father cared to see, who were almost all contemporaries of his own, as if she were as old as any of them—and had moved up to a totally different level of life. Such a transformation is not unusual in a widower's house. Miss Bampton took the position of her father's wife rather than of his daughter, and no one thought it strange. If she sacrificed any feelings of her own in doing so, no one found it out. She was a mother to May; she had found her position, it seemed, taken possession of her place in the world, at the head of a house which was her own house, though it was not her husband's but her father's. It was generally supposed that the position suited her admirably, and that she had never wished for any other: which indeed I agree was very probably the case, though in such matters no one can ever be confident. It was thus that she happened to be so absorbed in May, so watchful of this (she thought) undesirable interposition of Mr Fitzroy, of the partial withdrawal of Bertie Harcourt, and of many things of equal, or rather equally little, moment to the general world.

A newly-widowed woman has done a runner. She just jumped in her car, abandoned her (very nice) house in north London and kept on driving until she reached the Norfolk coast. Now she's rented a tiny cottage and holed herself away there, if only to escape the ceaseless sympathy and insincere concern. She's not quite sure, but thinks she may be having a bit of a breakdown. Or perhaps this sense of dislocation is perfectly normal in the circumstances. All she knows is that she can't sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect. That it was, in fact, full of frustration and disappointment, as well as one or two significant secrets, and that by running away to this particular village she might actually be making her own personal pilgrimage. By turns elegiac and highly comical, The Widow's Tale conjures up this most defiantly unapologetic of narrators as she begins to pick over the wreckage of her life and decide what has real value and what she should leave behind.

This memoir details the struggles of a young mother, who was left widowed with 9 children. Her eventual re-marriage to a widower, also with 9 children creates a host of funny and tense situations.

Shortlisted for Singapore Literature Prize 2016 (English Fiction) Former political detainee and professor Pak Karman loses his wife in a car accident. The intensity of his mourning causes him to become untethered from his sanity. As reality, memory and fantasy become more and more blurred, he must come to terms with his past actions before his grief overwhelms him completely. Mohamed Latiff Mohamed’s novel, hailed as a landmark in modernist Malay fiction, is an unsettling tale of psychic disintegration and obsessive love.

I spent my 11th wedding anniversary planning my husband's funeral. If I could just figure out how to make that rhyme, it would be the beginning of a great country song. Involuntarily single. That's the true story of where Catherine Tidd finds herself just three weeks after turning thirty-one. Widowed with three children under six years old, a rusty resume, no fix-it skills, and no clue how to live life as a widow, Catherine can't help but be a little exasperated with her dead husband for leaving her to deal with life on her own. Catherine's now in charge of her life in a way she never wanted to be, in a way that would have most of us reeling and numb. But she soon realizes that when you call the shots, you can make pedicures one of the stages of grief—and that moving forward might be more fun in a new sports car. Her honest Confessions of a Mediocre Widow is a glimpse into the heartbreaking and sometimes humorous world of a young woman who learns that it is possible to find joy in an unexpected life.

Denis Duval, Lovel the Widower and Other stories is a collection of stories by William Makepeace Thackeray. Among the various stories, Denis Duval (1864) portrays the main characters love for the beautiful Agnes de Saverne. Lovel the Widower (1860) depicts the life, marriage, and sorrows of a wealthy gentleman, Mr. Fred Lovel. The volume also contains The Bedford-Row Conspiracy, A Little Dinner at Timminss, and The Fatal Boots.

Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.

As Maryanne grows up during the 1940s in Philadelphia, life is far from ordinary. When she is just five years old, her mother passes away. After Maryanne’s father proves to be incapable of caring for her and her siblings, she moves in and out of multiple foster homes, eventually landing in an orphanage for the duration of her childhood and adolescence. Throughout life’s ups and downs, Maryanne learns to keep herself grounded, to never give up, and know in her heart that life has a way of taking the worst and making the best. Sadly, Maryanne never realizes the true meaning of family—until she meets her brother’s friend, William. But will Maryanne somehow find the courage to continue onward—even after losing everything—and overcome her obstacles to begin a new chapter? In this poignant young adult novel, an orphan embarks on a coming-of-age journey where she must find a way to persevere through her challenges to realize happiness.

“A resigned yet hopeful examination of grief with a side of human absurdity . . . warm and modestly knowing, with a wisecracking slacker hero.”—Kirkus Reviews Doug Parker is a widower at age twenty-nine, and in his quiet town, that makes him the object of sympathy, curiosity, and in some cases even unbridled desire. But Doug has more urgent things on his mind, such as his sixteen-year-old stepson, Russ, a once-sweet kid who is now getting into increasingly serious trouble. As Doug starts dipping his toes into the shark-infested waters of the second-time-around dating scene, it isn’t long before his new life is spinning hopelessly out of control, cutting a harrowing and often humorous swath of sexual missteps and escalating chaos across a suburban landscape. How to Talk to a Widower is a stunning novel of love, lust, and loss that USA Today hails as “hilarious but emotion-packed.” Praise for How to Talk to a Widower “[A] winning tale about a man raising his stepson after his wife dies.”—People “Part of Widower’s charm is that there’s no happily ever after, no Cinderella-catches-the-fella ending.” —USA Today “A mixture of mourning and mockery . . . surprisingly moving.”—Entertainment Weekly

Twenty-nine-year-old widower Doug Parker finds his life spiraling out of control as he struggles to come to terms with grief, love, family, and suburbia while dealing with a bossy, pregnant twin sister who urges him to begin dating again, a younger sister planning her wedding, a mother dealing with her ailing husband, and a hostile teenage stepson. Reprint. 60,000 first printing.

Written with unexpected humor and great warmth, The Widower's Notebook is a portrait of a marriage, an account of the complexities of finding oneself single again after losing your spouse, and a story of the enduring power of familial love. "This is deeply moving ... beautifully written and modulated, with a dollop of droll, black humor. It is such an achievement, like running uphill against a strong wind."--Joyce Carol Oates On a summer day in New York Jonathan Santlofer discovers his wife, Joy, gasping for breath on their living room couch. After a frenzied 911 call, an ambulance race across Manhattan, and hours pacing in a hospital waiting room, a doctor finally delivers the fateful news. Consumed by grief, Jonathan desperately tries to pursue life as he always had--writing, social engagements, and working on his art--but finds it nearly impossible to admit his deep feelings of loss to anyone, not even his to beloved daughter, Doria, or to himself. As Jonathan grieves and heals, he tries to unravel what happened to Joy, a journey that will take him nearly two years.

The second standalone thriller from the award-winning author of The Nowhere Child, Christian White. Set against the backdrop of an eerie island town in the dead of winter, The Wife and The Widow is an unsettling thriller told from two perspectives: Kate, a widow whose grief is compounded by what she learns about her dead husband’s secret life; and Abby, an island local whose world is turned upside when she’s forced to confront the evidence of her husband’s guilt. But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives. Brilliant and beguiling, The Wife and The Widow takes you to a cliff edge and asks the question: how well do we really know the people we love?