The Upanishads

Essence of the Upanishads - A Key to Indian Spirituality (Revised edition of Dialogue with Death, with new series preface and introduction - 19 new pages from transcripts of Easwaran's talks) Easwaran shows how the Katha Upanishad can help us understand our lives today Easwaran takes one of India's classic wisdom texts, the Katha Upanishad, and explains how it embraces all the key ideas of Indian spirituality within the context of a powerful mythic quest - the story of a young hero who ventures into the land of death in search of immortality. Illustrating the insights of the Katha through analogies and everyday examples, Easwaran shows how these ancient teachings help us gain a deeper understanding of our world and ourselves today.

Presents selections of the poem-philosophies that offers a path for individuals to realize the cosmic potential that resides within themselves as well as the way to the universal Consiousness.

The Bagavad Gita is a conversation between Lord Krishna and the Pandava prince Arjuna taking place on the battlefield before the start of the Kurukshetra War. Responding to Arjuna's confusion and moral dilemma about fighting his own cousins, Lord Krishna explains to Arjuna his duties as a warrior and prince, and elaborates on different Yogic and Vedantic philosophies, with examples and analogies. This has led to the Gita often being described as a concise guide to Hindu theology and also as a practical, self-contained guide to life. During the discourse, Lord Krishna reveals His identity as the Supreme Being Himself (Svayam Bhagavan), blessing Arjuna with an awe-inspiring vision of His divine universal form. Two words that are of paramount importance in grasping the Upanishads are Brahman and Atman. The Brahman is the universal spirit and the Atman is the individual Self. Differing opinions exist amongst scholars regarding the etymology of these words. Brahman comes from the root brh which means "The Biggest The Greatest The ALL." Brahman is "the infinite Spirit Source and fabric and core and destiny of all existence, both manifested and unmanifested and the formless infinite substratum and from whom the universe has grown." Brahman is the ultimate, both transcendent and immanent, the absolute infinite existence, the sum total of all that ever is, was, or shall be. The word Atman means the immortal perfect Spirit of any living creature, being, including trees etc. The idea put forth by the Upanishadic seers that Atman and Brahman are One and the same is one of the greatest contributions made to the thought of the world. The Rigveda is an ancient Indian sacred collection of Vedic Sanskrit hymns. It is counted among the four canonical sacred texts of Hinduism known as the Vedas. Some of its verses are still recited as Hindu prayers, at religious functions and other occasions, putting these among the world's oldest religious texts in continued use. The Rigveda contains several mythological and poetical accounts of the origin of the world, hymns praising the gods, and ancient prayers for life, prosperity, etc.

Donated by Sydney Harris.

The Upanishads: one of three new editions of the books in Eknath Easwaran's Classics of Indian Spirituality series You are what your deep driving desire is. As your desire is, so is your will. As your will is, so is your deed. As your deed is, so is your destiny. - Brihadaranyaka Upanishad (IV.4.5) Over two thousand years ago, the sages of India embarked on an extraordinary experiment. While others were exploring the external world, they turned inward - to explore consciousness itself. In the changing flow of human thought, they asked, is there anything that remains the same? They found that there is indeed a changeless Reality underlying the ebb and flow of life. Their discoveries are an expression of what Aldous Huxley called the Perennial Philosophy, the wellspring of all religious faith that assures us that God-realization is within human reach. The Upanishads are the sages' wisdom, given in intense sessions of spiritual instruction in ashrams, in family gatherings, in a royal court, in the kingdom of Death himself. And Easwaran shows how these teachings are just as relevant to us now as they ever were centuries ago.

Text, translation and Interpretation of selected Upanishads, Hindu philosophical classics.

The Hindu scriptures the Upanishads are, according to German scholar PAUL DEUSSEN (1845-1919), the culminating point of the Indian doctrine of the universe, an achievement that had been reached even before the arrival of the Buddha. In this work-originally published in German in 1906 and translated into English two years later-Deussen explores the place of the Upanishads in the literature of the Veda and explains the theology, cosmology, and psychology of that holy book. A landmark for East-West cross-cultural scholarship, The Philosophy of the Upanishads helped create the European understanding of the mind and heart of India, a philosophical and cultural endeavor that consumed both academics and armchair truth-seekers of the day. Today, it is still essential reading for anyone wishing to obtain a deeper knowledge of Indian spiritual wisdom.

These classic teachings comprise the most important and universal texts from the Indian wisdom tradition. They pose the fundamental questions of life pondered throughout the ages: Who am I? What happens when I die? What is the purpose of my life? Each text offers compelling answers, reflecting the style and personality of their Vedic and Buddhist authors. Eknath Easwaran's lyrical translations and engaging explanations of key concepts ensure that the texts are as relevant today as they were centuries ago.

The Upanishads were written in Sanskrit between 800 and 400 BCE by sages and poets, and form part of the Vedas - the holy and ancient sacred scriptures that are the basis of the Hindu religion.

The Upanishads are a great mine of strength for leading a tension-free and peaceful life. Today, most of us feel a lot of turmoil and tensions due to an overemphasis by leading a materialistic style of living. Meditation (Upasana) and looking into our pure consciousness and the Divine sitting inside us, has been forgotten altogether. Hence, the need for 'going back to Upanishads' has become quite relevant to be imbibed. There is also a growing urge in us to realize your 'true self,'' keenly feeling the need to make our knowledge flow into wisdom, and a yearning to know about the infinite and the eternal inspires us. The Upanishads form the core of Indian philosophy - a fantastic collection of writings, aptly described by Shri Aurobindo as "the supreme work of the Indian mind". The Upanishads are summits of thought on humanity and the universe. The Upanishads asks a man to cultivate righteousness (dharma) and to enjoy wealth (artha) and seek pleasures (kama), but with a sense of detachment. Meditation on OM and enquiry into our inner divine Self are some of the essentials of the Upanisads. Eleven Major Upanisads have been covered by Mr. Ved Bhatia in a lucid easy comprehensible style.

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.