Passionate Rivals

Onetime lovers, unexpected rivals... Emmett McCabe never expected to see Sydney Stevens—a woman with whom she'd shared a brief, incendiary connection before it all went up in flames—again. Luckily, ascending the cutthroat ladder of a high-pressure surgery residency to reach the top spot makes it easy to ignore what's missing in her life. Then Sydney reappears after nearly five years. Emmett is barely over her shock when she discovers Sydney is her new competition for the coveted chief's position everyone, including Emmett, expects will be hers. Professional rivalry and long-simmering passions create a combustible combination when the two are forced to work together, especially when past attractions won't stay buried.

Reese Conlon’s much anticipated family leave is only two weeks away, and nothing is going to stand in the way of her being at her wife’s side for the upcoming birth—not even the summer crowds in Provincetown, a new rookie cop with a hero complex, and a cruise ship at anchor in the harbor with a reported outbreak of a mysterious illness. Andy Champlain might be a rookie cop, but she was raised by a family of cops, and she’s ready to take on any challenge, if she only gets the chance. With a disaster brewing in Provincetown Harbor, a journalist who’ll do anything for a story, and sexy summer PA, Laurel Winter, at the local clinic, she’s about to have all the excitement she can handle. Before long, Reese, Tory, Laurel, and Andy are caught up in the gathering storms of an epidemic that could threaten all their lives.

Now a New York Times bestseller! There is a reason we look at others as rivals and limit ourselves to comparison and competition. We have an enemy assaulting our mind, will, and emotions in the hope that we'll turn on ourselves and each other. It's a cycle that isolates us from intimate connections, creates confusion about our identity, and limits our purpose. In Without Rival, bestselling author Lisa Bevere shares how a revelation of God's love breaks these limits. You'll learn how to stop seeing others as rivals and make the deep connections with your Creator you long for--connections that hold the promise of true identity and intimacy. With biblically sound teaching filled with prophetic insight for our day, Lisa uses humor and passion to challenge you to · Flip rivalry so it brings out the best in you · Stop hiding from conversations you need to be a part of · Answer the argument that says women are unfit, easily deceived, and gullible · Dismantle gender rivalry and work with the men in your life It's time to step forward to live a life without rival.

Benjamin Von Seeger, an Axiom Business Book Award winner author and telecommunications industry veteran, defies the conventional logic of global business how-to guides with this fresh, enlightening, and provocative perspective on todays global business landscape. He delivers hard-hitting and penetrating insights gleaned from a lifetime of overcoming obstacles to earn entrepreneurial successbeating and wooing corporate giants along the way. Von Seeger draws on his personal experiences educating business veterans, entrepreneurs and students alike as he delves down deep into the essential elements of global business success so that you, too, can apply proven principles to your professional life. Youll learn how to develop and leverage innate global business qualities and tactics that could mean the difference between commercial success and failure, including emotional and relational intelligence, relationship building, brand development, business strategy, and more. Whether youre launching a business or seeking to breathe new life into an existing venture, youll get all the bricks you need to lay a solid foundation for success with the business strategies in The Rival.

What happens when two women love the same man? This is the first book to examine female rivalry as a distinctive theme in women's fiction and to analyze the female-identified erotic triangle, where two women are rivals for the same man, as a narrative pattern which has a special resonance for inter-war women writers. Focusing on five key writers, Diana Wallace offers a reconsideration of inter-war women's writing and an examination of the links and rivalries between women writers themselves.

Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we thought. In Victorian novels, women may marry for erotic desire--but they might, instead, insist on "familiar marriage," marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. Romance's Rival shows how familiar marriage expresses ideas of female subjectivity dating back through the seventeenth century, while romantic marriage felt like a new, risky idea. Undertaking a major rereading of the rise-of-the-novel tradition, from Richardson through the twentieth century, Talia Schaffer rethinks what the novel meant if one tracks familiar-marriage virtues. This alternative perspective offers new readings of major texts (Austen, the Brontës, Eliot, Trollope) but it also foregrounds women's popular fiction (Yonge, Oliphant, Craik, Broughton). Offering a feminist perspective that reads the marriage plot from the woman's point of view, Schaffer inquires why a female character might legitimately wish to marry for something other than passion. For the past half-century, scholars have valorized desire, individuality, and autonomy in the way we read novels; Romance's Rival asks us to look at the other side, to validate the yearning for work, family, company, or social power as legitimate reasons for women's marital choices in Victorian fiction. Comprehensive in its knowledge of several generations of scholarship on the novel, Romance's Rival convinces us to re-examine assumptions about the nature and function of marriage and the role of the novel in helping us not simply imagine marriage but also process changing ideas about what it might look like and how it might serve people.

[Alanna] Nash belongs in the pantheon of great music writers, and [Baby, Let’s Play House] is a fascinating study.” —Rosanne Cash Just in time for Elvis Presley’s would-be 75th birthday comes a new book by Elvis expert, journalist, and Country Music Association Media Achievement Award winner Alanna Nash. Called "by far the best study of Presley I have ever read. . . Impressively researched written—and felt" by New York Times bestselling author Philip Norman (author of John Lennon and Shout!) and “the most entertaining Elvis book ever” by New York Times bestselling author Jimmy McDonough (Shakey: Neil Young's Biography), Baby, Let’s Play House is the first-ever Elvis book to focus solely on his complex relationships with women, including celebrities such as Ann-Margret, Linda Thompson, Mary Ann Mobley, Cher, Raquel Welch, Barbara Eden, and Cybill Shepherd. Featuring dozens of exclusive interviews and scores of never-before-seen photos, Baby, Let’s Play House is a must-have collector’s item for fans of The King everywhere.

In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the "age of the actress" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity. Treating individual star actresses who helped spark a cult of celebrity—especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy—Rival Queens reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.