God Is A Symbol Of Something True

Much blood has been spilled and is still being spilled over the question, Is there such a thing as a true religion? To answer No, is to give up on religion. To answer Yes seems dangerous and naive. Yet there is a way of understanding religion that avoids the danger and is both emotionally and intellectually satisfying.

In The End of Divine Truthiness, Paul Joseph Greene confronts stark realities of terrifying theologies that make a mockery out of divine love. With urgent resolve, Greene answers Martin Luther King, Jr.'s pointed challenge to overcome "reckless and abusive . . . power without love," and "sentimental and anemic . . . love without power." Too many theologies cast God either as the tyrant whose loveless power lifts up the mighty or the victim whose powerless love sends the poor away empty. Wielding Stephen Colbert's word "truthiness" as a scalpel, Greene slices out one perilous theology after another to restore the wholesome truth that God is love. Supported by three world religions--Buddhism, Christianity, and Taoism--he discovers a remarkably harmonious and revolutionary divine power that is fully aligned with divine love. To reunify love and power here in the world, as King challenges, it is time to abandon ideologies of divine power that devastate divine love and promote atrocities. Greene's call for "the end of divine truthiness" heralds a new day for the God whose love is power and whose power is love.

Already hailed as a landmark in contemporary Catholic theology, Jesus Symbol of God surveys scriptural data, the key moments in the development of doctrine, and the distinctive horizons of our contemporary world to develop a comprehensive and systematic christology for our time. The task of christology is to explain what it means to say that Jesus is the bearer and revealer of God in the Christian community, the decisive mediation of God's salvation -- or, in other words, the symbol of God.

Since 1947, the Supreme Court has promised government neutrality toward religion, but in a nation whose motto is "In God We Trust" and which pledges allegiance to "One Nation under God," the public square is anything but neutral -- a paradox not lost on a rapidly secularizing America and a point of contention among those who identify all expressions of religion by government as threats to a free society. Yeshiva student turned secularist, Bruce Ledewitz seeks common ground for believers and nonbelievers regarding the law of church and state. He argues that allowing government to promote higher law values through the use of religious imagery would resolve the current impasse in the interpretation of the Establishment Clause. It would offer secularism an escape from its current tendency toward relativism in its dismissal of all that religion represents and encourage a deepening of the expression of meaning in the public square without compromising secular conceptions of government.

Dan Brown's 'The Lost Symbol' was the most anticipated novel of 2009, and was the literary event of the year. Alex Carmine examines all the themes in depth, and provides a chapter-by-chapter analysis of 'The Lost Symbol'. From Alex's assessment of the novel, it is very much apparent that Dan Brown has not only been adhering to his own formula, but that he has also been following Joseph Campbell's concept of the hero's journey. We know that Dan Brown likes to play with the names of his characters, so Alex explores these in great detail. In this way, Alex reveals the name of the real American family upon whom the Solomons are based. Alex also shows that, following its development within 'The Da Vinci Code', Dan Brown's still very much in tune with his 'sacred feminine' side, with his stunning representation of womb envy. Dan Brown's fascinating depiction of masculinity within this novel is studied too. In addition to this, Alex explores the literary devices that Dan Brown employs, and the magical sleights of hand that he uses to make the reader look the wrong way. Indeed, one of the main arguments in this book is that Dan Brown has hidden much of the true meaning of 'The Lost Symbol' behind various veils of allegory, much as the Masons do with regards to their secrets, and like the Symbologist Robert Langdon, Alex reveals these meanings to you. However, Dan Brown is an author who also likes to reward his readers, so Alex examines the clues about the novel that he disseminated prior to publication via Facebook and Twitter. Furthermore, Alex considers the various Masonic practices depicted within the novel, and bring to the fore the conspiracy theories that surround this mysterious fraternity. Alex Carmine's very close reading of the novel literally leaves no stone uncovered, and will transform your own interpretation of the text.

Contributors: James Luther Adams C.K. Barrett Christopher Barth Ford Lewis Battles Arthur C. Cochrane Oscar Cullmann W. D. Davies David Demson Donald E. Gowan Alfred M. Johnson Jr. Paul L. Lehmann F. W. Marquandt Joseph L. Mihelic Donald G. Miller Paul S. Minear Robert S. Paul Dietrich Ritschl Edward Schweizer Krister Stendahl Mark H. Tanenbaum H. Eberhard von Waldow Jay A. Wilcoxen

In this engaging fictional conversation, Peter Kreeft gives credible voices to C. S. Lewis, J. R. R. Tolkien, and Billy Graham as they discuss one of the most contentious questions in the history of Christianity: Is Jesus symbolically or substantially present in the Eucharist? These widely respected modern Christian witnesses represent three important Western theological traditions. Graham, an ordained Southern Baptist minister who traversed the world and the airwaves to spread the good news of salvation, represents evangelical Protestantism. Lewis, an Oxford professor, a prolific Christian apologist, and the author of The Chronicles of Narnia, was a member of the Church of England. Also an Oxford don, Tolkien was a friend of Lewis, the author of The Lord of the Rings, and a Roman Catholic. While Lewis and Tolkien likely discussed the Eucharist during their long friendship, the conversation in this book never took place—but it could have, says Kreeft, who faithfully presents the views of these three impressive men.

How do Christians understand the Trinity? How does this understanding relate to other Christian teachings? In conversation with key thinkers in contemporary and classical theology, particularly Henri de Lubac, Karl Rahner, Thomas Aquinas and Augustine, this book argues that a theology of symbols can help us glimpse the mystery of the Trinity and see how this central Christian teaching corresponds to Christian understandings of creation, humanity and the church. A symbol is not here understood as an arbitrary sign, but as a sign that mediates the presence of the symbolized. Joshua Mobley examines the understanding of the Father as “symbolized” in the Son who is the “symbol” of the Father by the “symbolism” of the Spirit, the personal agent of unity between Father and Son. These trinitarian relations then structure creaturely relations to God: God is symbolized in creation, which is a symbol of God by participation in the Son, and the church is symbolism, the union of creation with God by the power of the Spirit. Mobley thus argues that a theology of symbol helps coordinate trinitarian theology with key themes in Christian dogmatics.

Revised thesis (Ph.D.) - Southern Methodist University, 2007.

In a controversial examination of the conceptual bases of Blake's myth, Leopold Damrosch argues that his poems contain fundamental contradictions, but that this fact docs not imply philosophical or artistic failure. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The author examines the meaning and imprecisions of 'symbol' in this interdisciplinary study of nineteenth-century writers.

Extraordinary independent scholar of comparative religion and mythology Walker examines a time when the Goddess and her consort/son ruled supreme and forward into the era when the patriarchy usurped Her worship.