Download Nobody, you successfully read this important alert message. This example text is going to run a bit longer so that you can see how spacing within an alert works with this kind of content.
Whenever you need to, be sure to use margin utilities to keep things nice and tidy.
Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.
When Newt Newman's football-star brother, Chris, is knocked into a coma during the biggest game of the season, Newt's two best friends keep his mind off of the accident by helping him create the ultimate Halloween costume: Captain Nobody. Newt feels strong and confident in his new getup, so he keeps wearing it after Halloween is over. Soon Newt assumes the role of a hero in a string of exploits that include foiling a robbery and saving a planeload of passengers. But will Captain Nobody be able to save the one person he cares about most?
'The Diary of a Nobody' is based on a series of amusing columns written between 1888-9 for Punch, and published as a novel in 1892 with illustrations by Weedon. The book has remained in print ever since that first publication. The diary is that of Mr Charles Pooter, a city clerk of lower middle-class status but significant social aspirations, living in Upper Holloway. Other characters include his wife Carrie (Caroline), his son Lupin, his friends Mr Cummings and Mr Gowing, and Lupin's unsuitable fiancee, Daisy Mutlar. The humour derives from Pooter's unconscious gaffes and self-importance, as well as the snubs he receives from those he considers socially inferior (i.e. tradesmen). The book has spawned the word "Pooterish" to describe a tendency to take oneself excessively seriously. Pooter is mentioned in John Betjeman's poem about Wembley. AUTHORS: George started his career as a court reporter for The Times, Weedon as an artist. They both later became actors. George created many famous baritone roles in the operettas of Gilbert and Sullivan at the Savoy theatre. George retired in 1900 and died in Folkestone in 1912. Weedon retired in 1917 and died in London in 1919.
Forgetting was easy. It was remembering that was hell. A true account of occult bondage, abuse and redemption. A story that must be heard, from one who survived to tell.
Is history driven more by principle or interest? Are ideas of historical progress obsolete? Is it unforgivable to change one's mind or political allegiance? Did the eighteenth century really exchange the civilizing force of commercial advantage for political conflict? In this new account of liberal thought from its roots in seventeenth-century English thinking to the end of the eighteenth century, Annabel Patterson tackles these important historiographical questions. She rescues the term "whig" from the low regard attached to it; denies the primacy of self-interest in the political struggles of Georgian England; and argues that while Whigs may have strayed from liberal principles on occasion (nobody's perfect), nevertheless many were true progressives. In a series of case studies, mainly from the reign of George III, Patterson examines or re-examines the careers of such prominent individuals as John Almon, Edmund Burke, Sir Joshua Reynolds, Thomas Erskine, and, at the end of the century, William Wordsworth. She also addresses a host of secondary characters, reshaping our thinking about both well-known and lesser figures of the time. Tracking a coherent, sustained, and adaptable liberalism throughout the eighteenth century, Patterson overturns common assumptions of political, cultural, and art historians. The author delivers fresh insights into the careers of those who called themselves Whigs, their place in British political thought, and the crucial ramifications of this thinking in the American political arena.
Journeys into the private lives of the residents of a small urban street in England as it chronicles the events that transpire over the course of a single day, as the peace and tranquility of an ordinary day are shattered by a tragic accident at the end of the day. A first novel. Original.
One of America's most prominent historians and a noted feminist bring together the most important political writings and testimonials from African-Americans over three centuries.
Jim Morrison takes us on a journey of discovery. Sam Travis must leave his Upper East Side condo, the troubled "Nobody Company" IPO, sexually aggressive Diane, and all other New York fineries to immerse himself, halfway across the world, in a murder investigation where the accused is his missing brother Michael. Morrison weaves a smart fast paced sexy tale of intrigue, discovery and self-enlightenment as he forces Sam (and the reader) to question his desire for the
This story took place in 1958 in Sand Mountain, Alabama, which was Raccoon Mountain as the locals called it. As it was such a compelling and inspirational story to be told, this story was written many years later on June 16 through 30 of 2010 in Fort Payne, Alabama.
A collection of poems by author Charlotte L R Kane. Delve into the life of Charlotte and experience the darker side of life that she has seen.
This follow-up to A Spiritual Renegade’s Guide to the Good Life calls for the biggest revolution of all: the overthrow of our obsessive quest to be somebody. Like boardwalk tourists poking their faces through two-dimensional cutouts of the muscle man and bathing beauty, we are all desperately trying to be somebody, to be “special.” No one wants to be a loser, a small fry, a big zero. But maybe we’ve got it all wrong. With an edgy tone and radical perspective, Lama Marut shows that the quest to distinguish ourselves is the true cause of our dissatisfaction, and it continually leaves us feeling isolated and alone. Drawing from the spiritual truism that only by losing the self can we discover our real potential, Be Nobody provides guidance, actions, and simple meditations to help you lay down the heavy burden of trying to be somebody—without requiring you to live in a monastery or retire to a cave in the Himalayas. When we vacate ourselves, we will finally have the freedom to find true fulfillment. So stop narrating your life and start living it. Be nobody.
Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.
Langland argues that the middle-class wife had a more complex and important function than has previously been recognized: she mastered skills that enabled her to support a rigid class system while unknowingly setting the stage for a feminist revolution.
A warm and witty novel from the acclaimed author of Good in Bed, In Her Shoesand the forthcoming Who Do You Love (August 2015) For Kate Klein, semi-accidental mother of three, the unsolved murder of a fellow mother is the most interesting thing to happen since the neighbours cracked their septic tank. Up until then life in suburbia has been distinctly underwhelming. Her once-loving husband is hardly ever home. The supermums on the playground routinely snub her and her days are filled with an empty routine. At night, most of her orgasms are of the do-it-yourself variety. So, on Mondays, Wednesdays and Fridays, when her kids are in nursery school, Kate launches a murder investigation of her own. With the help of her best friend, carpet heiress Janie Segal, and former flame, Evan McKenna, she is drawn deep into the dead woman's double life. Suddenly suburbia is not so ordinary after all. Engrossing, suspenseful, and laugh-out-loud funny, Goodnight Nobodyis another unputdownable, sparkling tale; a quick-witted mystery with a great heart and a narrator you'll never forget.
'Love Is All Round' is a feminist publishing house where Harriet Copeland is running a competition to find new romantic fiction; their motto is 'For Women By Women'. To avoid this gender bias, Leonard Loftus is forced to submit his novel under a female pseudonym. So when Lulabelle Latiffa wins the first prize, Leonard begins to have a major problem. He is a bashful statistician lumbered with a spectacular alter ago. With domestic complications from his wayward daughter Dee Dee and Gus, his rascally old father, Leonard tries frantically to keep up the charade of Lulabelle. His problems are made worse when he falls hopelessly in love with Harriet. He is a worried man in the guise of a carefree woman. The happy ending is not going to be easy. In high heels and lipstick our hero is caught in a hilarious dilemma of cross-dressing and cross-purposes. Oh what a tangled web we weave, across The UK, Australia and all over Europe, Nobody's Perfect has been acclaimed as a classic feel good romantic comedy. Now adapted for the US audience it has the fertile tradition of Some Like It Hot, Tootsie, and Mrs. Doubtfire. This is a play that offers belly laughs galore - four irresistibly loveable characters locked into a hilarious plot. The final scene has been described as a comic masterpiece.
"A superb book. . . . A scintillating, continuously rewarding reflection on authorship and its place in the modern world. This is a study in the great tradition of Ian Watt's The Rise of the Novel: both a brilliant work of literary scholarship and an invigorating report on modernity itself."—Terry Castle, author of The Apparitional Lesbian "An exemplary instance of what many have been clamoring for: a rigorous cultural study of literature."—William B. Warner, author of Reading Clarissa