Naked Lunch

Bill Lee, an addict-hustler, travels to Mexico and then Tangier in order to find easy access to drugs, and ends up in the Interzone, a bizarre fantasy world

The anarchic, phenomenally strong-sellling classic from the godfather of the Beats.

Bill Lee, an addict-hustler, travels to Mexico and then Tangier in order to find easy access to drugs, and ends up in the Interzone, a bizarre fantasy world

"This is the first book devoted in its entirety to William Burroughs' masterpiece, bringing together an international array of scholars, artists, musicians, and academics from many fields to explore the origins, writing, reception, and complex meanings of Naked Lunch."--Inside cover.

A reprint of the controversial 1959 novel about narcotics addict Bill Lee, his travels in search of drugs, and his eventual descent into the nightmarish fantasy world of Interzone.

Interzone portrays the development of Burroughs's mature writing style by presenting a selection of pieces from the mid-1950s. His outrageous tone of voice represents the exorcism of four decades of oppressive sexual and social conditioning. Burroughs's close observations of humanity - its ugliness and ignorance - invites the reader to dispense with their traditional notions of decorum, and taste the world as he sees it.

In Naked Lunch, William S. Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

Set in Mexico City during the early fifities, the story follows William Lee from bar to bar in the American expatriate scene as he pursues a young man named Allerton.

'We are safely away and you can now enjoy a ...' There was a pause, as if the Cruise Director was having trouble choosing what, exactly, he should call what was about to happen. Finally he said, '... a carefree environment.' Folk have been naked in public for centuries. But being a nudist is more complicated than simply stripping off. In Naked at Lunch, Mark Haskell Smith uncovers nudism's fascinating history – and gets involved, baring all himself. He visits a Spanish town where clothing is optional, and travels to the largest nudist resort in the world: a hedonist's paradise in the south of France. From clothes-free hiking in the Austrian Alps to a Caribbean cruise on the 'Big Nude Boat', Haskell Smith takes us on an entertaining frolic through the good, the bad, and the just plain naked.

For more than 30 years, David Cronenberg has produced films, mostly outside the Studio system, which continue to disturb, surprise and challenge audiences. He has also been repeatedly drawn to literary fiction for inspiration, adapting works by figures like William Burroughs, J.G. Ballard and Patrick McGrath. This book is only the second single-authored study on Cronenberg and as well as containing the first detailed analysis of eXistenZ (1999) Spider (2003) and A History of Violence (2005), it is the first to explore how understanding certain written texts, from both underground and mainstream fiction, can help us understand how Cronenberg's films work.

This provocative book takes decensorship from the 1960 Lady Chatterley trial through the long-term drive against pornography which continues into the 1980s.

The Beat Generation and Counterculture examines three authors associated with the «Beat Generation» - Paul Bowles, William S. Burroughs, and Jack Kerouac - and the relevance of their attempt to travel, learn, and write about exotic non-Western cultures and repressed minority cultures in the United States, projecting the influence of history, premodern religious practices, and postcolonial social and intellectual problems into the written development of countercultural ethos and praxis. The Beat Generation and Counterculture underscores T. S. Eliot's emphasis on «earning tradition - that is, in order for the corrupt, decultured, and unimaginative West that had been ruined by World War II to survive, it would have to internalize and project the value of distant cultures that had been misunderstood and racialized for centuries. This book also addresses the frequent criticism that these authors were «orientalist», white writers who freely translated non-Western culture without giving any credit to its creators.

Collects stories, an unfinished novel, and sketches by the author--all of which focus on the part of 1930s New York society that lived in the Bronx, but longed to be in the shadow of skyscrapers--as well as the author's correspondence with encouraging publishers. Original.

With the publication of Naked Lunch in 1959, William Burroughs abruptly brought international letters into the postmodern age. Beginning with his very early writing (including a chapter from his and Jack Kerouac's never-before-seen collaborative novel), Word Virus follows the arc of Burroughs's remarkable career, from his darkly hilarious "routines" to the experimental cut-up novels to Cities of the Red Night and The Cat Inside. Beautifully edited and complemented by James Grauerholz's illuminating biographical essays, Word Virus charts Burroughs's major themes and places the work in the context of the life. It is an excellent tool for the scholar and a delight for the general reader. Throughout a career that spanned half of the twentieth century, William S. Burroughs managed continually to be a visionary among writers. When he died in 1997, the world of letters lost its most elegant outsider.

WHAT IS LOVE? In the game of love, there are winners and losers. In THE LOSERS' CLUB, Richard Perez tries to answer the eternal question. Set in downtown New York City, THE LOSERS' CLUB tells the story of Martin Sierra, an unlucky writer addicted to the personals. His journey brings us into the East Village, pre-9/11-and in contact with Nikki, his dream woman, who remains unattainable romantically yet becomes his friend and confidant during his illuminating misadventures. Populated with characters and surprises few will ever forget, this energetic, comic novel is as much about a generation (we won't say "X") as it is about a specific time and place.

The Wild Boys is a futuristic tale of global warfare in which a guerrilla gang of boys dedicated to freedom battles the organized armies of repressive police states. Making full use of his inimitable humor, wild imagination, and style, Burroughs creates a world that is as terrifying as it is fascinating.

The first systematic examination in English of Cronenberg?s feature films, from Stereo (1969) to Crash (1996).

Take One's Essential Guide to Canadian Film is the most exhaustive and up-to-date reference book on Canadian film and filmmakers, combining 700 reviews and biographical listings with a detailed chronology of major events in Canadian film and television history. Compiled by Wyndham Wise, the editor and publisher of Take One, Canada's most respected film magazine, with a foreword by Canadian director Patricia Rozema, this is the only reference book of its kind published in English. Each film title is listed with credits, a mini review, and significant awards. Biographical listings of directors, producers, actors, writers, animators, cinematographers, distributors, exhibitors, and independent filmmakers are accompanied by date and place of birth, date of death if applicable, a brief career overview, and a filmography. Wise celebrates Canadian achievement on both a national and an international scale, and juxtaposes the distinctly Canadian with Canada's exports to Hollywood: Maury Chaykin and Jim Carrey, John Candy and William Shatner, Mon Oncle Antoine and Porky's, Highway 61 and Meatballs, The Red Violin and The Art of War. From great early Hollywood stars like Walter Huston, Fay Wray, Mary Pickford, Norma Shearer, and Marie Dressler, to our current crop of star directors - including Patricia Rozema, Atom Egoyan, David Cronenberg, Denys Arcand, Peter Mettler, Guy Maddin, and Robert Lepage - Canadians have made an important but largely unrecorded contribution to the history of world cinema. Impressive for its breadth of coverage, refreshing in its opinionated informality, this comprehensive and lively look at Canadian film culture at the start of the twenty-first century admirably fills the gap.