Lysistrata

Aristophanes helped shape comedy ... despite their often fantasical premises, were fairly consistently concerned with contemporary politics and social institutions. ... mildly aristocratic ... patriotic ... suspicious of social innovation ... sympathetic to the struggles of the common people ... unrestrained in insult ... exuberantly bawdy.

Playwright Einhorn, known for his comic absurdist plays, translates the ancient Greek humor for a modern audience. Complete with essays, selected sheet music, and a second version of the play for inventive directors, this newest adaptation focuses on war, sex, and, most of all, laughter. (Plays/Drama)

Most readers nowadays encounter the plays of Aristophanes in the classroom, not the theater. Yet the "father of comedy" wrote his plays for the stage, not as literary texts. Many English translations of the plays were written decades ago, and in their outdated language they fail to capture the dramatic liveliness of the original comedies. Now Michael Ewans offers new and lively translations of three of Aristophanes' finest plays: Lysistrata, The Women's Festival, and Frogs. While remaining faithful to the original Greek, these translations are accessible to a modern audience—and actable on stage. Here readers will discover—in all its uncensored glory—the often raw sexual and scatological language Aristophanes used in his fantastically inventive works. This edition also contains all that a reader needs to understand the plays within a broader context. In his comprehensive introduction, Ewans discusses political and social aspects of Aristophanic comedy, the conventions of Greek theater, and the challenges of translating ancient Greek into modern English. In his theatrical commentaries—a unique feature of this edition—Ewans draws on his own experience of directing the plays in a replica of the original theater. In scene-by-scene analysis, he provides insight into the major issues each play raises in performance. The volume concludes with two glossaries—one of proper names and the other of Greek terms—as well as a bibliography that includes the most recent scholarship on Aristophanic comedy.

In Aristophanes' Lysistrata, the women of Athens, fed up with the war against Sparta, go on a sex strike and barricade themselves into the acropolis to persuade their husbands to vote against the war. It is the most often performed of all Aristophanes' comedies. It is also, perhaps, the most misunderstood. This collection of essays by eight leading academics - written for sixth-form students and the general public alike - sets the play firmly in its historical and social context, while exploring Aristophanes' purpose in writing it and considering the responses of modern audiences and directors. The collection has been assembled and edited by David Stuttard, whose energetic new performing version of the play is included in this volume. Contributors include: Alan Beale; Edith Hall; Lorna Hardwick; James Morwood; Martin Revermann; James Robson; Alan H. Sommerstein; Michael Walton.

Lysistrata is the third and last of Aristophanes' peace plays. It is a dream of peace, of how the women could help to achieve an honourable settlement, conceived when Athens was going through its blackest, most desperate crisis since the Persian War. Though in modern times this is perhaps the most popular of his works, it has never before had an English translation that aims to be reliable in detail and that is fully annotated. The Greek text is based on a fuller body of evidence than any previous edition.It is astonishing to think that this play was first performed 2,400 years ago, because of all Aristophanes great comedies, Lysistrata seems to speak most clearly to our own age. It could perhaps be described as the world's first feminist drama.Text with facing translation, commentary and notes. 224pp(Aris and Phillips 1990).

Aristophanes (ca. 456 BC - ca. 386 BC) was a Greek Old Comic dramatist. He is also known as the Father of Comedy and the Prince of Ancient Comedy. "Lysistrata" was written during the Peloponnesian War between Athens and Sparta and argues not so much for pacifism as for the idea that the states ought not be fighting one another at this point but combining to rule Greece.

"There is no beast, no rush of fire, like woman so untamed. She calmly goes her way where even panthers would be shamed." ― Aristophanes, Lysistrata Lysistrata is an ancient Greek comedy by Aristophanes. It tells the story of the extraordinary mission of women to end a three-decade conflict- the Peloponnesian War. Lysistrata, the title character, leads the women of the warring Greek city-states in a sex strike in hopes to persuade their husbands to stop the fighting. The older women of Athens seized control of Acropolis and the state treasury in it for, without money, men cannot fund their war. Old men arrived with woods and burning coals. They plan to smoke the women out of the Acropolis but a group of old women throws water at them, putting out their fires. A man who is desperate for sex appears and pleads. His wife teases and leads him on but leaves him hanging to torture him further. Several other men tried to get through the women but none succeeded Will this method prove to be effective in ending a war? Add to cart and get your copy now!

Offers plays by one of the world's greatest comic dramatists in a bilingual edition.

Period Ancient Greek Athens is in the grip of a futile, destructive war with Sparta and its men are fighting abroad, taken away from their wives and families for long periods at a time. The women of Athens have had enough.

The Acharnians/The Clouds/Lysistrata 'We women have the salvation of Greece in our hands' Writing at a time of political and social crisis in Athens, the ancient Greek comic playwright Aristophanes was an eloquent, yet bawdy, challenger to the demagogue and the sophist. In Lysistrata and The Acharnians, two pleas for an end to the long war between Athens and Sparta, a band of women on a sex strike and a lone peasant respectively defeat the political establishment. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. Translated with an Introduction and Notes by Alan H. Sommerstein

A new adaptation of Aristophanes' Lysistrata for performance and study by J. A. Ball and Michael Chemers.

Lysistrata is one of the few surviving plays written by Aristophanes. Originally performed in classical Athens in 411 BC, it is a comic account of one woman's extraordinary mission to end The Peloponnesian War. Lysistrata persuades the women of Greece to withhold sexual privileges from their husbands and lovers as a means of forcing the men to negotiate peace — a strategy, however, that inflames the battle between the sexes. The play is notable for being an early exposé of sexual relations in a male-dominated society. The dramatic structure represents a shift away from the conventions of Old Comedy, a trend typical of the author's career. It was produced in the same year as Thesmophoriazusae, another play with a focus on gender-based issues, just two years after Athens' catastrophic defeat in the Sicilian Expedition. This is a new translation by Ranjit Bolt.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.