Books of Hours

Thomas Merton was the most popular proponent of the Christian contemplative tradition in the twentieth century. Now, for the first time, some of his most lyrical and prayerful writings have been arranged into A Book of Hours, a rich resource for daily prayer and contemplation that imitates the increasingly popular ancient monastic practice of "praying the hours." Editor Kathleen Deignan mined Merton's voluminous writings, arranging prayers for Dawn, Day, Dusk, and Dark for each of the days of the week. A Book of Hours allows for a slice of monastic contemplation in the midst of hectic modern life, with psalms, prayers, readings, and reflections.

#NAME?

The Book of Hours were derived from the official service-books of the Church, but they were produced as the personal prayerbooks of the laity. Combining sacred and secular elements in a manner found in no other type of illuminated manuscript, Books of Hours have an especial significance in the history of religious sentiment and in the development of painting.

How was the Book of Hours created and used as a book and what did it mean to its owners?

For over three hunderd years, more Books of Hours were made than any other type of book, even the Bible. From c. 1225, when the first Books of Hours began to appear, to 1571, when during the Counter-Reformation Pope Pius V prohibited the use of all existing Books of Hours, nearly every European family of a certain means owned a Book of Hours. Books of Hours Reconsidered presents recent research on this medieval bestseller in twenty-one essays written by international scholars. The scholarship in this volume helps instill Books of Hours with new life and give them new meaning at a moment when interest in Books of Hours is on the rise.

English translation of a variety of texts from women's books of hours, with introduction, notes, and an interpretive essay.

A FINALIST FOR THE PEN/WEST TRANSLATION AWARD The 100th Anniversary Edition of a global classic, containing beautiful translations along with the original German text. While visiting Russia in his twenties, Rainer Maria Rilke, one of the twentieth century's greatest poets, was moved by a spirituality he encountered there. Inspired, Rilke returned to Germany and put down on paper what he felt were spontaneously received prayers. Rilke's Book of Hours is the invigorating vision of spiritual practice for the secular world, and a work that seems remarkably prescient today, one hundred years after it was written. Rilke's Book of Hours shares with the reader a new kind of intimacy with God, or the divine—a reciprocal relationship between the divine and the ordinary in which God needs us as much as we need God. Rilke influenced generations of writers with his Letters to a Young Poet, and now Rilke's Book of Hours tells us that our role in the world is to love it and thereby love God into being. These fresh translations rendered by Joanna Macy, a mystic and spiritual teacher, and Anita Barrows, a skilled poet, capture Rilke's spirit as no one has done before.

This book acts as an introduction to some of the most beautiful and historically interesting manuscripts in the collections of the British Library and contains 140 reproductions from this rich tradition.

Provides a bilingual collection of work comprised of such important works as "The Book of the Monkish Life," "The Book of Pilgrimage," and "The Book of Poverty and Death." Reprint.

A Book of Hours contains 24 essays, one for each hour of the day, that seek to bridge the gap between definitive scientific philosophy and the sheer unadulterated beauty that Donald Culross Peattie envisioned within everyday life. The Boston Transcript referred to this collection as “science, in sheer poetry,” and the Chicago Daily Tribune mused that “it leaves one a better man for having read it” and offers “the inevitableness of natural laws and the truth of beauty, if one cares to seek it.”

This seasonal book combines prayers from the Liturgy of the Hours and from the tradition's most eloquent authors to provide a simple and graceful order of prayer appropriate for individuals or groups.

Castle Priory is a crumbling Oxfordshire mansion, one Brian Blackstone's wife considered a place of extraordinary enchantment. But for Brian there is no enchantment, only the burden of trying to honor Sarah's dying wish that he hold onto the property. With the local doctor, Cecilia Keeble, Brian begins to explore the mysteries of the old estate. In the process he discovers a medieval secret which offers a key to renew his spirit and heal his broken heart. The power of prayer reaches through the centuries in a surprising and mysterious way…

Leading French painters in the late medieval period executed miniatures for lavishly illuminated books of hours. In the mid-fifteenth century, Simon de Varie commissioned such a book. Completed in 1455, it included five priceless works by the most eminent French painter of the time, Jean Fouquet, as well as other striking paintings by two of his contemporaries. In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague. The third volume--thought lost until 1984, when it surfaced in a private collection and was subsequently acquired by the Getty Museum--contains the first miniatures by Jean Fouquet to have been discovered in eighty years. This beautiful book will reproduce in color all of the miniatures and historiated initials in the original manuscript, along with selected text pages with secondary decoration. Comparative illustrations also accompany the two essays in the volume. Marrow's text addresses the role of books of hours in late medieval culture; the contents and form of de Varie's Hours; and the relationship of the miniatures by Fouquet to the rest of the artist's oeuvre. In a related essay, Francois Avril discusses the position of Simon de Varie and his family in mid-fifteenth-century France. The publication of The Hours of Simon de Varie adds to the Getty's impressive list of publications on illuminated manuscripts begun in 1990 and including the widely acclaimed facsimile Mira calligraphiae monumenta.

Jay Heins' debut poetry collection, book of hours, gently asks you to consider both small miracles and large tragedies. Inspired by medieval Christian illuminated manuscripts, Heins adapts this practice of pairing poetry with visual art into a nature-based secular kind of worship. These unconventional prayers are a devotional practice of gratitude juxtaposed with grief, meditations on how death informs life. Consider the lilac bushes taking over the cemetery. The "hills / that unzipped green / only yesterday" set against the doors of the chemo ward. Heins' poetry sketches the beauty and pain when "time removes the guardrails." Always returning to nature for solace, with a focus on the cyclical, book of hours reminds us that "time stops; yet / I am moving / and the river flows."

A lavish collection of plates from the finest medieval illuminated prayer books, A Book of Hours is a perfect gift for all who cherish the rich legacy of Christian art. Each image is marvelously detailed in the facing text, making this gem both beautiful and enlightening. 35 full-color illustrations.

Clark examines the book of hours in the context of medieval culture, the book trade in Paris, and the role of Paris as an international center of illumination. 64 illustrations, 40 in color.

Claire Donovan provides a detailed discussion of the Hours, its iconography and its place in the thirteenth-century Oxford book trade, with five appendices, notes and bibliography.

Featured here are some of the finest examples of illuminated pages from mediaeval and Renaissance Books

Books of Hours are probably the most famous of all medieval illuminated manuscripts. Presented here are 12 Books of Hours that date from the origins of the genre in the 13th century to its eclipse in the 16th century. Examples come from France, Italy and the Southern and Northern Netherlands and are by many notable artists, including Pietro da Pavia, Belbello da Pavia, the Masters of Zweder van Culenburg, the Masters of the Gold Scrolls, Willem Vrelant, Guillaume tile Roy and Jean Poyer. Some are richly illustrated; others are more modest. Each manuscript is wholly unique, offering a captivating glimpse into the lives and preoccupations of their owners, the concerns and contributions of their illuminators. The introduction by Christopher de Hamel, Donnelley Fellow Librarian at Corpus Christi College, Cambridge, underscores the intimacy' of Books of Hours as a genre. A team of distinguished scholars have contributed to the essays, bringing up-to-date research to the project that helps situate each manuscript in the most recent scholarship. Comparative photographs of manuscripts in institutions place these twelve Horae in their broader artistic and cultural contexts. Accompanying an exhibition held at Les Enluminures, New York, 2—25 May 2012