A History of Western Art
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Art in a commercial world -- Artists and collectors in the market for art -- The Italian City-States -- Antwerp -- Amsterdam -- Germany and Spain -- London -- Paris -- Art consumption in industrial America -- New York -- The global art market
Positions works of art in illustration groups to create a visual environment and historical context to enhance understanding and appreciation.
Appropriate for one-semester art history surveys or historically-focused art appreciation classes, A History of Western Art, Fourth Edition, offers an exciting new CD-ROM, additional color plates, and a number of new features. Focusing on the Western canon of art history, the text presents a compelling chronological narrative from prehistory to the present. A new non-Western supplement, World Views: Topics in Non-Western Art, addresses specific areas of non-Western art and augments the Western chronology by illustrating moments of thematic relationships and cross-cultural contact. World Views is available at a discount when packaged with History of Western Art.
This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists.
Presents the story of Western art within its historical and cultural context. By focusing on fewer works, the text aims to offer a greater depth of understanding of important historical developments in art.
Provides an overview of Western art history, from cave paintings to Leonardo da Vinci to Andy Warhol. Includes more than 250 full-color reproductions of artworks, details, photographs, and documents.
Looks at important movements and artists and discusses paintings, sculpture, photographs, and architecture.
A delightful and witty cat-alog of feline masterpieces that spoofs 4,000 years of art history. Instantly recognizable to casual museum-goers and anyone who has ever perused Janson's History of Art, the works are captioned with deadpan annotations by a real-life art historian. 32 color illustrations.
THE GUERILLA GIRLS' BEDSIDE COMPANION TO THE HISTORY OF WESTERN ART
A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.
Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9780073379227 9780077551957 .
Fascinated by the astonishingly rich history of art in hospitals, the well-known critic and art historian Richard Cork has written a brilliant account of the subject. These works, which include masterpieces of Western art, have been produced from Renaissance Florence and Siena to the 20th century. Piero della Francesca made a painting for a hospital in Sansepolcro, as did Hans Memling in Bruges, Matthias Grünewald in Isenheim, El Greco in Toledo, Rembrandt in Amsterdam, William Hogarth in London, Vincent van Gogh in Saint-Rémy-de-Provence, and Marc Chagall in Jerusalem. The book's sumptuous images offer a rich range of subjects, from Francisco Goya's dramatic confrontations with suffering to Giovanni Battista Tiepolo's sublime, airborne celebrations of resurrection and heavenly ecstasy. Some, like Leonardo da Vinci's incisive drawings, are based on uncompromising firsthand study of hospital patients. Others explore a redemptive world where Christ is born, orphans are rescued, and plague victims are given shelter. In this wide-ranging survey, Cork investigates how such artworks have been used to humanize hospitals, to alleviate their clinical bleakness, and to offer genuine, lasting pleasure to patients, staff, and visitors.
ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase. Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code. Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase. -- A concise introduction to the Western tradition in art. Janson's Basic History of Art provides readers with a beautifully illustrated and masterfully concise introduction to the Western tradition of art history. The text centers discussions around the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition creates a narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony and that Americans have claimed through their connection to Europe. Janson's Basic History of Western Art continues to maintain separate chapters on the Northern European Renaissance, the Italian Renaissance, and the High Renaissance, with stylistic divisions for key periods of the modern era. The 9th edition brings some exciting changes. For the first time, Janson's Basic History of Western Art comes with MyArtsLab, which provides students with an interactive learning experience. Also, the text incorporates new learning objectives, graphics, and maps throughout. In response to reviewer's requests, this new edition expands the coverage of Islamic art into its own chapter. MyArtsLab is an integral part of the Davies et al, program. Key learning applications include, Art 21 and Studio Technique videos, 360-degree architectural panoramas and simulations and Closer Look tours. A better teaching and learning experience This program will provide a better teaching and learning experience-for you and your students. Here's how: Personalize Learning - MyArtsLab is an online homework, tutorial, and assessment program. It helps students prepare for class and instructor gauge individual and class performance. Improve Critical Thinking -- "Points of Inquiry" and "Points of Reflection" coordinated with learning objectives help students think critically about what they have read. Engage Students -- Updated images, MyArtsLab, and the clarity of the text provide a wonderful engaging student experience. Support Instructors -- Instructor resources are available in one convenient location. Figures, videos, and teacher support materials create a dynamic, engaging course. 0205925928 / 9780205925926 Janson's Basic History of Western Art Plus NEW MyArtsLab with eText -- Access Card Package Package consists of: 0205206565 / 9780205206568 NEW MyArtsLab with Pearson eText -- Valuepack Access Card 0205242634 / 9780205242634 Janson's Basic History of Western Art
Featuring unique NEW study tools for students and dynamic NEW lecture resources for instructors, GARDNER’S ART THROUGH THE AGES: A CONCISE WESTERN HISTORY, Second Edition takes this brilliant bestseller to new heights in addressing the challenges of today’s classroom. It is specifically designed for the one-semester survey. The second edition adds to this heritage with new images and new full-color reconstructions, as well as a unique scale feature that helps students visualize the size of each work. Students will also benefit from the clarity that only a book written by a single author can provide, as well as from The Big Picture overviews at the end of every chapter, a special foldout timeline, and ArtStudy Online (a free interactive study guide that includes image flashcards, video study tools, quizzes, and more to help students master the material quickly). Dynamic lecture tools -- including a digital library with a full zoom and side-by-side comparison capability and the exciting Google Earth technology will save instructors time in preparing for class and personalizing their lectures. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Spirited Prospect: A Portable History of Western Art from the Paleolithic to the Modern Era is a lively, scholarly survey of the great artists, works, and movements that make up the history of Western art. The second edition broadens and expands the basic definitions and issues introduced in the first. Timely, important questions are addressed: What is art, and who is an artist? What is the West, and what is the Canon? What makes the Western Canon exclusionary, and why is it more important than ever for artists and intelligent people to engage and understand it? Keeping these seminal concerns in mind, readers are escorted on a concise, chronological tour of Western visual culture, beginning with the first art produced before written history. They learn about the great ancient cultures of Egypt, Mesopotamia, Greece, and Italy; the advent of Christianity and its manifestations in Byzantine, Medieval, Renaissance, and Baroque art; and the fragmentation of old traditions and the proliferation of new artistic choices that characterize the Enlightenment and the Modern Era. Abounding with full color illustrations and original, insightful interpretations, Spirited Prospect is an ideal textbook for introductory courses in the history of art, as well as courses in studio art and Western civilization at all levels. David D. Nolta holds a Ph.D. in the history of art from Yale University. Dr. Nolta is a professor and the chair of the History of Art Department at MassArt. He has won many awards, including Fulbright and Kress fellowships and residencies at The Huntington Library and Harvard University. Charles A. Stigliano holds an M.F.A. in sculpture from The University of North Carolina. He is a professor in the Fine Arts 3D Department at MassArt. Professor Stigliano has exhibited a range of works, from marionettes to monumental figure sculptures, at venues across the U.S., and his work can be found in numerous public and private collections.
A cultural analysis of the presence of Mary in European art considers her relevance throughout history, in a lavishly illustrated account that evaluates the theological, devotional, and social applications of Mary in the visual arts.